Sketch… Collage… Paint! The Life of a Painting
Posted by Keith on Sunday May 11, 2008 Under Creative Process, Painting / DrawingToday we’re going to look at the evolution of an idea as it proceeds from being a vaguely abstract thought to being a painting hanging on a wall. While the idea didn’t end up being completed quite as I originally envisioned it, I think seeing how it progressed may give some ideas on painting workflow to others.
It all started off with an idea I had while driving home from a doctor’s appointment last week. I was thinking about my usual painting subjects (landscapes and flowers) and was wondering which I wanted to do next. My cherry blossom paintings are my most popular, but after doing a few more during the week, I was tired of the home decor style painting and wanted to do something different. Unfortunately, I also knew that my skills had not progressed yet to be able to do a more realistic painting of them. Regardless, I knew I wanted to do something that evoked the light, gentle feeling of cherry blossoms. I also had this random thought of a young girl sitting on a swing, looking a little sad as the cherry blossoms danced around her, carried on the wind. The result was the sketch above.
In the sketch, I was trying to lay out the basic ideas that I had. By the time I got home and sat down to make the sketch, my idea had evolved into a landscape of Mt. Fuji in the spring with the cherry blossom trees blooming and the girl sitting on a bench by a Japanese shrine. Talk about ideas outreaching my current level of talent! Yes, I can say that and not be self-deprecating. I’m perfectly aware of my skill level today and know that someday I could pull this off! But I knew that I wasn’t ready to paint a person, and I knew that I don’t yet have enough experience and skill to draw the cherry blossoms on the wind the way that I want. But I still wanted to do a landscape of cherry blossoms, so the next thing I did was cobble together a reference photo.

The reference photo above was made by finding multiple images, one of which being Mt. Fuji, the other of foliage found in Japan, and making a collage to lay out the elements. This helps me to see the various layer depths, the colors and the placement of elements that I want to paint. After this, I begin the actual painting.
In this case, it started off well. My sky was very nice and I loved my clouds, but I just could not get Mt. Fuji to turn out the way I wanted. So I decided to layer in some more mountains. My willows didn’t satisfy me either as my trunks were too wide, so I abandoned those, covering all but the first. I enjoyed my cherry trees, but was worried about trying to represent too many cherry blossoms on the ground and so put in less pink along the ground foliage. In the end, this is the result:
It’s a nice painting, and the layering of the mountains is done well, as are the reflections in the water. I’m not very happy with the trees though, nor am I that thrilled with the ground coverage. Ultimately, I hit that wall where continuing to tinker with the painting would just make it worse and so I stopped. I’m going to see what the reaction is when I show it to my ‘critics’ and then decide if I want to try and sell it, or just keep it up on my wall. If nothing else, I do enjoy the various colors and am happy with that. What do YOU think? Let me know!


May 11th, 2008 at 11:37 am
I agree the colours are beautiful…I am wishing to see more detail with the sakura, but in a painting of that scale, it might be very difficult. It’s difficult to tell they are sakura trees, because I think of them as being lower to the ground, but clearly some are not (as your photo composite shows). Overall though, the colour scheme is cool (in the temperature sense) and fresh-looking. It makes me want to go get some green tea
You know what would be neat…did you ever see Akira Kurosawa’s “Dreams”? There’s a segment in there, early on, about Hinamatsuri (Girls’ Day), and you see a dream sequence of the Emperor and Empress “dolls” and their entourage, which appear as real people. Instead of being on a step-shaped wooden stand, they are on a hillside that looks like it’s been carved out into step-shapes. They are surrounded by sakura trees. Not that you should paint the people in all their regalia (although that would be something!), but seeing the trees distributed throughout those step-hills was an interesting looking perspective. Much like the mountains you paint, but without the water, and with just grass and trees. Am I making sense? I’m babbling, aren’t I!
I have lots of problems sketching out my jewelry ideas, because while I can work in 3D shapes, I can’t draw to save my life.
May 11th, 2008 at 12:34 pm
You’re making sense! I have a painting that I’ve been thinking about that is more of a grassy field with very distant non-snow-covered mountains (I LOVE mountains) and warmer colors.
I also have an idea I’m going to sketch out tonight for more of a fantasy painting I’m calling ‘Dorothy’s Lament’ for now…. Let’s just say green skies and tornadoes are involved.
BTW - I have not seen ‘Dreams’ but I really need to!
May 11th, 2008 at 7:06 pm
I am by any stretch an artist but I do love to sketch out a new idea for a bag ….Your work is amazing!
mary
hoganfe handbags
May 12th, 2008 at 12:02 am
I always wondered if artists sketched first. . .now, I know.
May 12th, 2008 at 10:01 pm
I don’t always sketch out ideas first. Just if I have something I can’t keep pictured in my head or if I really want to get a feel for the layout of items.
November 26th, 2008 at 4:21 pm
nice